Deconstructed Live: Up, Bustle & Out (Ninja Tune) DJ Set (DC#25)

Dave Cridge came down to play Deconstructed Live a couple of times in 2002 and at a beach side venue in 2004, impressing us with both his chirpy manner and his chirp scratch – one of the most technically skillful DJ’s we had the pleasure of hosting. Along with some fantastic funk rarities (to this day we’re unable to provide a tracklist for  half of his set of funk and rare groove) and his turntable skills, he arrived with a choice crew, bringing members of Portishead with him on this first session for support. Audio is a little scratchy to start the first half of this set, but settles down a minute or so in – be patient.

Having directed funds into Cuba’s legendary Radio Rebelde for some time, Bristol-based sound bandits Up, Bustle & Out found themselves invited to Havana to record with an intergenerational squad of descarga players assembled by ex-Orquesta Aragon flautist Richard Eges.  The subsequent Master Sessions series, which fused contemporary production with traditional instrumentation, enjoyed favourable reviews across the board.

About Kingsley Marshall

Dr Kingsley Marshall is a film composer, producer and academic. Head of Film at the CILECT accredited School of Film & Television based within Falmouth University in the UK, the subject area consists of 28 staff working with 300 undergraduates studying the Skillset accredited BA (Hons) Film degree, supplemented by a postgraduate community studying from MA level through to PhD. Kingsley’s research and practice primarily orientates around the use of sound (including music and effects) in cinema and television, and the production of short and micro-budget feature films. He executive produced Wilderness (Director: Justin John Doherty, 2017) which won 13 awards at international film festivals since making its premiere at Cinequest, and Mr Whippy (Director: Rachna Suri, 2019). In 2018 he co-produced with Neil Fox the short HP Lovecraft adaptation Backwoods (Director: Ryan Mackfall, 2019), which began its festival journey in 2019. More recently, Kingsley recently completed the score as composer on a film project - Hard, Cracked the Wind - with director Mark Jenkin and production company Early Day Films. The film completed principal photography in Autumn 2018, and is currently in post production. For over twenty years he has worked as a journalist, interviewing filmmakers, musicians, and designers for over 30 publications and broadcasters worldwide, written album sleeve notes and biographies for over 100 artists, and contributed to anthologies on hip hop and soul. He can be found on Twitter as @kingsleydc