Deconstructed Live: Reuben Wu (Ladytron/Datamath) DJ Set

One of the most talked about groups of their kind in the US and Europe, Reuben Wu and the Ladytron collective have been compared to a host of artists ranging from Air to the Human League. Their broad range of influences and unique brand of retro futurism ensure reviewers grasp at increasingly obtuse straws, with the NME offering “a teasing glimpse of how Britney Spears might have sounded, had she been born in the GDR as a heroin addict.” Nice thought.

Around the turn of the millennium, I’d reviewed a couple of records by Ladytron myself, they were running a club in Liverpool and I tried the band on the off chance that one of them DJ’d. Turns out that Reuben Wu played out occasionally under the name Datamath, and quite fancied a trip to the South West. I can’t imagine what his usual fee was, but he came down with his girlfriend for little more than a pastie, a couple of pints and a tour of the tin mine workings at St Agnes.

Two things struck me. Reuben was a terribly smart dresser, perhaps the dapperest DJ I have ever had the good fortune to meet. He arrived dressed in black, with an amazing jacket best described as something a ninja cop from the future would wear, if fearful of ballistic shuriken (it had a kevlar tail). Secondly, he was also the first DC DJ, this was 2002 remember, to turn up with no records. Instead, he pulled two shiny iPods from his pockets, and plugged them directly into the mixer. Suffice to say, he rocked the disco, and returned a couple of years later to play a second date.

His first DJ set for Deconstructed Live is a quite bit different from a lot of the other DJ’s who visited. Unsurprisingly its powerfully electronic, with a few classics, a couple of diamond mash ups and some Ladytron exclusives thrown in for good measure. For your listening pleasure, is the first half of Reuben’s first set for Deconstructed. Turn this one up.

Ladytron Dj Set – Www.Deconstructed.Co.Uk by Deconstructed on Mixcloud

Deconstructed Flyer 12 Front: Darren Whittington

About Kingsley Marshall

Dr Kingsley Marshall is a film composer, producer and academic. Head of Film & Television at the CILECT accredited School of Film & Television based within Falmouth University in the UK, the subject area consists of 25 staff working with 500 undergraduates, supplemented by a postgraduate community studying from MA level through to PhD. Kingsley’s research and practice primarily orientates around the use of sound (including music and effects) in cinema and television, and the production of short and micro-budget feature films. He executive produced Wilderness (Director: Justin John Doherty, 2017) which won 13 awards at international film festivals since making its premiere at Cinequest, and Mr Whippy (Director: Rachna Suri, 2019). In 2018 he co-produced with Neil Fox the short literary adaptation Backwoods (Director: Ryan Mackfall, 2019), premiering in Portland, Orgeon and winning the HP Lovecraft award at the Rhode Island International Film Festival. More recently, Kingsley recently completed the score as composer on a film project - Hard, Cracked the Wind - with director Mark Jenkin and production company Early Day Films. The film premiered at Encounters Film Festival in September 2019, and has since played festivals across the world including New York Film Festival. For over twenty years he has worked as a journalist, interviewing filmmakers, musicians, and designers for over 30 publications and broadcasters worldwide, written album sleeve notes and biographies for over 100 artists, and contributed to anthologies on hip hop and soul. He can be found on Twitter as @kingsleydc