“Partial to anything weird and wonderful” was how Jon described his acclaimed Lo Recordings imprint, which has released material from the likes of Japanese uber producer Susumu Yokota and Squarepusher through to Four Tet and acclaimed London trio Rothko. The output has proved something of a magical musical mystery tour, with sleuth rock rubbing shoulders with tidal ambience and skittish electronics kicking down to lowly Orleans blues.
This set from Jon, on of three times he played DC, is a real treat – a blend of rarities, library music and other vinyl oddities. One of the most eclectic DJs to grace the decks, and one who rocked the floor on every visit.
Kingsley Marshall is Head of Film at the CILECT accredited School of Film & Television based within Falmouth University in the UK. The subject area consists of 28 staff working with 300 undergraduates studying the Skillset accredited BA (Hons) Film degree, supplemented by a postgraduate community studying from MA level through to PhD.
Kingsley’s research and practice primarily orientates around the use of sound (including music and effects) in cinema and television, and the production of short and micro-budget feature films. He executive produced Wilderness (Director: Justin John Doherty, 2017) which won 12 awards at 16 international film festivals since making its premiere at Cinequest.
In 2018 he co-produced with Neil Fox the short HP Lovecraft adaptation Backwoods (Director: Ryan Mackfall, 2018), beginning its festival journey in 2019. Kingsley began work as composer on a film project with director Mark Jenkin and production company Early Day Films. The film completed principal photography in Autumn 2018, and is currently in post production.
For over twenty years he has worked as a journalist, interviewing filmmakers, musicians, and designers for over 30 publications and broadcasters worldwide, written album sleeve notes and biographies for over 100 artists, and contributed to anthologies on hip hop and soul.
He can be found on Twitter as @kingsleydc
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