Having felt out the Deconstructed waters with audio envoy David Harrow, Hydrogen Dukebox chieftain Doug Hart made his first journey to the West Country. While his own work as Chamber offered a nitro fuelled mix of sweaty breaks and low riding bass, the label has continued to purvey the finest “electronic music for heroes” via the records of James Hardway, Justice and Metamatics. His mix, recorded in 2001, rocks the Dukebox catalogue, for a smooth techno set.
About Kingsley Marshall
Kingsley Marshall is Head of Film at the CILECT accredited School of Film & Television based within Falmouth University in the UK. The subject area consists of 28 staff working with 300 undergraduates studying the Skillset accredited BA (Hons) Film degree, supplemented by a postgraduate community studying from MA level through to PhD.
Kingsley’s research and practice primarily orientates around the use of sound (including music and effects) in cinema and television, and the production of short and micro-budget feature films, executive producing Wilderness (Doherty, 2017) which won 11 awards at 16 international film festivals since making its premiere at Cinequest in 2017, and producing Project 18 (Mackfall, 2018), currently in post-production.
For over twenty years he has worked as a journalist, interviewing filmmakers, musicians, and designers for over 30 publications and broadcasters worldwide, written album sleeve notes and biographies for over 100 artists, and contributed to anthologies on hip hop and soul.
He can be found on Twitter as @kingsleydc
