Deconstructed Live: Broadway Project (Memphis Industries) DJ Set

Ollie Jacob, the A&R maestro behind Memphis Industries – discoverer of The Go! Team, amongst others – was one of the earliest DJ’s to brave the turntables. I’d supported the label through a magazine column for a while, and had waxed lyrical about the debut album by Dan Berridge across three magazines and a couple of sites – you can read my feature on Dan here. Broadway Project’s Compassion somehow conjured widescreen sense from an already overworked sampler, whose bank of stolen sounds took in everything from modern classical, rock solos and obtuse vocals.

After Ollie’s set went down a storm, I managed to coax Dan out of DJ retirement for an unlikely set of thoughtful beats and wide-eyed orchestration at Deconstructed Live #21 which matched his own material – PJ Harvey next to  the Soulsaver’s Love, next to Ursula Rucker, next to Four Tet – perfect, and the kind of set I’ve only ever heard  at DC. His new album, One Divided Soul, is a cracker.

About Kingsley Marshall

Dr Kingsley Marshall is a film composer, producer and academic. Head of Film & Television at the CILECT accredited School of Film & Television based within Falmouth University in the UK, the subject area consists of 25 staff working with 500 undergraduates, supplemented by a postgraduate community studying from MA level through to PhD. Kingsley’s research and practice primarily orientates around the use of sound (including music and effects) in cinema and television, and the production of short and micro-budget feature films. He executive produced Wilderness (Director: Justin John Doherty, 2017) which won 13 awards at international film festivals since making its premiere at Cinequest, and Mr Whippy (Director: Rachna Suri, 2019). In 2018 he co-produced with Neil Fox the short literary adaptation Backwoods (Director: Ryan Mackfall, 2019), premiering in Portland, Orgeon and winning the HP Lovecraft award at the Rhode Island International Film Festival. More recently, Kingsley recently completed the score as composer on a film project - Hard, Cracked the Wind - with director Mark Jenkin and production company Early Day Films. The film premiered at Encounters Film Festival in September 2019, and has since played festivals across the world including New York Film Festival. For over twenty years he has worked as a journalist, interviewing filmmakers, musicians, and designers for over 30 publications and broadcasters worldwide, written album sleeve notes and biographies for over 100 artists, and contributed to anthologies on hip hop and soul. He can be found on Twitter as @kingsleydc