It’s Time for Tristram Cary

It’s Time for Tristram Cary

A new album from Trunk Records dropped on the mat this morning. This time JBH gathers together the work of Tristram Cary, who passed away in 2008 following a long and esteemed career in composing (writing the music for the original The Ladykillers and Quartermass and the Pit) and creating effects (he made the sound of the Daleks for Dr Who). I’m trying to place a review somewhere now, out March 29th 2010.

Tracklist:
1. Music For Light (Red/White)
2. Music For LIght (Short Orange)
3. Music For Light (Red/Green/White dubbing track)
4. Visible Manifestations (E1 A-D)
5. Visible Manifestations (F 31)
6. Visible Manifestations (E11, E12, E13, E14 A-E)
7. A Hill, Some Sheep And A Living (1M 1 take 2)
8. A Hill, Some Sheep And A Living (1M 2A)
9. A Hill, Some Sheep And A Living (M6 take 3)
10. Opus (M1 – Electronic Titles, montage of metal sounds)
11. Opus (House Sequence / Cocktail Party Montage)
12. Opus (House Sequence continued)
13. Opus (M6 A take 3)
14. Opus (Green, drum track with reverb)
15. Tests, for Casino Royale (Opening section)
16. Tests. for Casino Royale (Torture SFX Part 1 – persuasion by pain)
17. Tests, for Casino Royale (Torture SFX Part 2)
18. Tests, for Casino Royale (Further SFX)
19. Centre Music
20. Escalator Music
21. Shaped For Living (1M1, 7 sounds)
22. Shaped For Living (1M5, 8 sounds)
23. Shaped For Living (1M6 sounds 5-9)
24. Shaped For Living (1M7, 18 sounds)
25. Shaped For Living (2M8, 5 sounds)
26. Shaped For Living (mixed track)
27. The Curious History of Living (effects Part 11)
28. The Curious History of Money (M12)
29. Divertimento (Start)
30. Divertimento (Performance Tape section 2)
31. 3 4 5 – A Study On Limited Resources
32. Narcissus

For more musical oddities, check out Jonny Trunk’s first set for DC Live.

Jonny Trunk @ Deconstructed Live (1 of 2) by Deconstructed

Deconstructed 13 Front

About the Author

Kingsley Marshall is an academic and journalist who lectures in film and contributes music and film criticism, features and reviews to Little White Lies, Shook and Big Screen magazines in the UK. He was appointed Technical Editor at Clash magazine in 2010, where he writes a technology and games column.